After retiring for personal reasons from prog-rock giants Genesis, Peter Gabriel went on to record a total of four solo records titled Peter Gabriel, distinguished from each other by references to their cover art (âCar,â âScratch,â âMeltâ) and an alternate title insisted upon by his label (âSecurityâ). This intensive focus on the eponymous perhaps bespeaks of ego, perhaps humility. It also maybe signifies the deceptively straightforward presentation Gabriel would offer the worldâshorn of the makeup and costumes of his Genesis days, he might appear to have become another earnest, balladeering singer/songwriter. (See our post on classic Gabriel-era Genesis from yesterday.) Yet that first, 1977, solo outing was as imaginative, baroque, and gleefully experimental as his previous work. His expansive musical vocabulary gave the first Peter Gabriel what Stereogum calls âa purposefully eclectic, anything-flies approach to songcraftâ that sometimes worked, sometimes didnât.
Some of the unevenness of the first solo album is due to what Gabriel himself felt was overproduction on the part of Bob Ezrin, particularly on the song âHere Comes the Flood.â He would thereafter perform this song solo on pianoâre-recording it thus in 1990. At the top of the post, you can hear him play it as the opener for his first ever solo show at the Capitol Theatre in Passaic, New Jersey. The March 5, 1977 concert kicked off the tour for the first Peter Gabriel, for which he assembled an all-star band, some of whom had featured on the album, including King Crimson guitarist Robert Fripp (appearing under the name âDusty Rhodesâ and apparently playing offstage behind the curtain). After âHere Comes the Floodâ is âOn the Air,â and just above, hear the weird, wobbly âMoribund the Burgermeisterâ from that night. Below, in four parts, hear the remaining songs in the set (see the full setlist here). Over the audio in each Youtube clip, see montages of still imagesâsome presumably from the tour, some of album and promo artwork.
While Gabriel may have ditched the flamboyant onstage personae, he never abandoned his visual flair, as we know from those groundbreaking music videos. Witness the artistic pedigree on display in the cover art of Peter Gabriel (Car)âa photograph by Throbbing Gristle member and artist Peter âSleazyâ Christopherson of Gabriel slumped in a car owned by famed album cover designer Storm Thorgerson.
But the new Peter Gabriel, the solo artist, hadâas he put it in the first albumâs big single âSolsbury Hillâââwalked right out of the machineryâ of Genesisâ excessive presentation. That song, still one of his most memorable, has been covered by everyone from Lou Reed to Erasure. Speaking to his strength as a songwriter, the tune with perhaps the broadest appeal is also one of his most personalâpurportedly about his decision to leave Genesis. Hear it live in Part 5 below.
Though he may have left behind the band that made him famous, he still pays tribute to them in his first solo concertâs finale. At the close of the set, below, he ends with a Genesis song, âBack in N.Y.C.,â from the last, double concept album he recorded with them. It doesnât feel out of place at all, proving perhaps that, even without the makeupâas Allmusic writes—Peter Gabriel was âundeniably the work of the same man behind The Lamb Lies Down on Broadway.”
Related Content:
Watch Genesis (from the Peter Gabriel-Era) Perform in a Glorious, 1973 Restored Concert Film
Peter Gabriel and Genesis Live on Belgian TV in 1972: The Full Show
Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness
Peter Gabriel’s First Solo Concert, Post-Genesis: Hear the Complete Audio Recording (1977) is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don’t miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.
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Peter Gabrielâs First Solo Concert, Post-Genesis: Hear the Complete Audio Recording (1977)
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