Artists of the Bauhaus schoolâincluding founder Walter Gropius, Paul Klee, Wassily Kandinsky, Piet Mondrian and othersâbroke radically with familiar tradition and made minimalist, abstract, and sometimes shocking statements with their work. We know this history, but you probably havenât seen these cultural figures physically embody their aesthetic principles as they do in the photographs here, from costume parties the Bauhaus school held throughout the twenties. As Rachel Doyle at Curbed writes, âif you thought Bauhaus folk were good at designing coffee tables, just have a look at their costumesâas bewitching and sculptural as any other student project, but with an amazing flamboyance not oft ascribed to the movement.â
The whimsical costume partiesâto which, wrote Hungarian architect Farkas Molnár, artists devoted âthe greatest expenditures of energyâârepresented further attempts to transcend âmedieval conditionsâ and integrate âtodayâs scientific and technological advances⦠into general culture.â So wrote Molnár in a 1925 essay, âLife at the Bauhaus,â where he describes the playfully serious conditions at the school. These parties, he asserts, were superior to âfancy-dress ballsâ organized by artists in other cities in that âour costumes are truly original. Everyone prepares his or her own. Never a one that has been seen before. Inhuman, or humanoid, but always new.â Everyone participated, it seems, from the newest student to, as Molnár calls them, âthe bigwigsâ:
Kandinsky prefers to appear decked out as an antenna, Itten as an amorphous monster, Feininger as two right triangles, Moholy-Nagy as a segment transpierced by a cross, Gropius as Le Corbusier, Muche as an apostle of Mazdaznan, Klee as the song of the blue tree. A rather grotesque menagerieâ¦
Might that be Kandinsky in the photograph at the top? Just who is this luminous figure? Why did Gropius dress up as Le Corbusier, and what, exactly, does âthe song of the blue treeâ look like? We can identify at least one of these artistsâthe bald man in black at the center of the photograph below is Oskar Schlemmer, painter, sculptor, designer, and choreographer. Schlemmer gave Bauhaus costume design its most formal context with the Triadic Ballet, a production, writes Dangerous Minds, that âcombined his work in both sculpture and theater to create the internationally acclaimed extravaganza which toured from 1922 to 1929.â
The balletâs â18 costumes,â writes Curbed, âwere designed by matching geometric forms with analogous parts of the human body: a cylinder for the neck, a circle for the headsâ¦. These elaborate costumes [see photo of performers below]⦠totally upped the ante at the Bauhaus schoolâs regular costume balls.â Schlemmer âmade no secret of the fact that he considered the stylized, artificial movements of marionettes to be aesthetically superior to the naturalistic movements of real humans.â His ballet, Dangerous Minds remarks, may be “the least ‘human’ dance performance ever conceived.”
It may come as no surprise then that the Triadic Ballet influenced some of the hyper-stylized alien costuming of David Bowieâs Ziggy Stardust tour. Perhaps even more than the photographs of revelers from the costume parties, the Triadic Ballet, which has been periodically revived since its 1922 debut, preserves the fascinating innovations Bauhaus artists envisioned for the human form. Just below, watch a 1970 film production recreating many of the original designs, and see more photographs of Bauhaus costumes at The Charnel-House.
via Curbed
Related Content:
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Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness
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Kandinsky, Klee & Other Bauhaus Artists Designed Ingenious Costumes Like Youâve Never Seen Before
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