Youâve probably seen âIllusion of Choice,â a 2011 infographic detailing how six media conglomerates âcontrol a staggering 90% of what we read, watch, or listen to.â (The entities named are GE, News Corp, Disney, Viacom, Time Warner, and CBS.) Another âIllusion of Choiceâ infographic from last year documents how âten huge corporations control the production of almost everything the average person buys.â Are these webs of corporate connection kooky conspiracy theories or genuine cause for alarm? Do the correlations between business entities cause political currents that undermine democracy and media independence? Itâs not particularly controversial to think so given the amount of money corporations spend on lobbying and political campaigns. Itâs not even particularly controversial to say so, at least for those of us who arenât employed by, say, Viacom, Time Warner, GE, etc.
But pointing fingers at the corporatocracy may have not gone over so well for famed comedy writer Robert Smigel in 1998 when his recurring animated âSaturday TV Funhouseâ segment produced the âConspiracy Theory Rockâ bit above for Saturday Night Live. A parody of the beloved Schoolhouse Rock educational âtoons of the 70s, âConspiracy Theory Rockâ features a disheveled gentlemanâa stereotype of the outsider crackpotâleading a sing-along about the machinations of the âMedia-opoly.â Figured as greedy octopi (reminiscent of Matt Taibbiâs âvampire squidâ), the media giants here, including GE, Westinghouse, Fox, and Disney, devour the smaller guysâthe traditional networksâand âuse them to say whatever they please and put down the opinions of anyone who disagrees.â The segment may have raised the ire of GE, who own NBC. It aired once with the original episode but was subsequently pulled from the show in syndication, though itâs been included in subsequent DVD compilations of âSaturday TV Funhouse.â
Now âConspiracy Theory Rockâ is circulating onlineâamplified by a Marc Maron tweetâas a âbannedâ clip, a misleading description that feeds right into the story of conspiracy. Editing a sketch from a syndicated comedy show, after all, is not tantamount to banning it. While the short piece makes the usual compelling case against corporate rule, it does so in a tongue-in-cheek way that allows for the possibility that some of these allegations are tenuous exaggerations. Our unwashed presenter, for example, ends the segment mumbling an incoherent non sequitur about Lorne Michaels and Marion Barry attending the same high school. For his part, Michaels has said the segment was cut because it âwasnât funny.â Heâs got a pointâit isnâtâbut itâs hard to believe it didnât raise other objections from network executives. It wouldnât be the first time the show has been accused of censoring a political sketch.
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Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness
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Conspiracy Theory Rock: The Schoolhouse Rock Parody Saturday Night Live May Have Censored
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