Itâs not often one gets the opportunity to take a course on a major literary movement taught by a founding member of that movement. Imagine sitting in on lectures on Romantic poetry taught by John Keats or William Wordsworth? It may be the case, however, that the Romantic poets would have a hard time of it in the cutthroat world of professionalized academic poetry, a world Allen Ginsberg helped create in 1974 with the founding of his Jack Kerouac School of Disembodied Poetics at Naropa University, almost twenty years after he brought hip modern poetry to the masses with the wildly popular City Lights paperback edition of Howl and Other Poems. (Here you can listen to the first recording of Ginsberg reading that famous poem.)
Dismissed by the modernist old guard as âvacuous self-promotersâ in their time, the Beatsâ legend often portrays them as paragons of artistic integrity. Thereâs no reason they couldnât be both in some sense. The anti-authoritarian pranks and poses gained them notoriety for matters of style, and their dedication to radicalizing American literature provided the substance. As the Academy of American Poets writes, âthere is a clear work ethic that reverberates in their lives and in their writing, and in the eyes of many readers and critics, the Beats fostered a sustained, authentic, and compelling attack on post-World War II American Culture,â rejecting both âthey stultifying materialism and conformism of the cold war eraâ and âthe highly wrought and controlled aesthetic of modernist stalwarts.â
Thanks to the archives at Naropa, we can hear Ginsberg himself lecture on both the style and substance of Beat literary culture in a series of lectures he delivered in 1977 for his summer course called âLiterary History of the Beats.â Weâve previously featured the extensive âspecialized reading listâ Ginsberg handed students for that class, which he titled âCelestial Homework.â In the first series of lecturesâdivided in 18 parts in the archiveâhear him discuss the list. The Naropa archive describes the first lecture as diving âright into the 40′s lives of Ginsberg, Kerouac, Burroughs, Herbert Huncke, and others living in NYC at that time. From consuming Benzadrine inhalers to the discovery of the void, Ginsberg’s account and analyses are entertaining and lively as well as insightful.” Hear part one of that talk at the top of the post, and part two just above.
Ginsberg focuses on the 40s as the period of Beat origins in his 1977 class. Another section of the courseâtaught in 1981âcovers the 50s, with topics such as âBurroughsâ recommended reading lists,â âBurroughs on drugs and society,” and âthe founding of the study of semantics.â Hear the first lecture in that series just above.
Literary History of the Beats will be added to our collection, 1000 Free Online Courses from Top Universities.
Image above was taken by Marcelo Noah.
Related Content:
Allen Ginsbergâs âCelestial Homeworkâ: A Reading List for His Class âLiterary History of the Beatsâ
William S. Burroughs Teaches a Free Course on Creative Reading and Writing (1979)
âExpansive Poeticsâ by Allen Ginsberg: A Free Course from 1981
13 Lectures from Allen Ginsbergâs âHistory of Poetryâ Course (1975)
Download 55 Free Online Literature Courses: From Dante and Milton to Kerouac and Tolkien
Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness.
Hear Allen Ginsberg Teach “Literary History of the Beats:” Audio Lectures from His 1977 & 1981 Naropa Courses is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don’t miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.
The post Hear Allen Ginsberg Teach “Literary History of the Beats:” Audio Lectures from His 1977 & 1981 Naropa Courses appeared first on Open Culture.
Hear Allen Ginsberg Teach âLiterary History of the Beats:â Audio Lectures from His 1977 & 1981 Naropa Courses
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