As we mourn Maya Angelou on the day after her death, itâs heartening to remember that she lived several more lifetimes than most in her 86 years, some filled with pain and struggle, some with great joy. While generally known as a poet, writer, teacher, actress, and activist, Angelou actually got her start in the public eye as a Calypso dancer and singer, even appearing in a film, Calypso Heat Wave and releasing an album, Miss Calypso, both in 1957. Itâs said that Billie Holiday told Angelou in 1958, âyouâre going to be famous but it wonât be for singing,â She was right of course, but Angelou retained the air of a performer as a reader of her work. Above, see her deliver an animated reading of her famous poem, âStill I Rise,â which references many of her past lives, including lines that seem to allude to her Miss Calypso days: âDoes my sexiness upset you? / Does it come as a surprise / That I dance like Iâve got diamonds / At the meeting of my thighs?â The stanza is indicative of another quality among the many she enumerates, âsassiness.â But she begins the reading on a more sober note, with a statement about human resilience, the ability to get up and face the day, despite the fears we all live with. âWherever that abides in a human being,â she says, âthere is the nobleness of the human spirit.â
That resilience, the transcendence of painful personal and ancestral histories, was the great theme of Angelouâs work, whether in poems like âStill I Riseâ or her revealing 1969 autobiography I Know Why the Caged Bird Sings, also the title of a poem from her 1983 collection Shaker, Why Donât You Sing?. While the caged bird is a very personal symbol for Angelou, her poem âOn the Pulse of the Morning,â which you can see her read above at Bill Clintonâs 1993 inauguration, speaks to the whole human species in elemental terms. Again she twines themes of transcending painful and bloody histories with those of the ânobleness of the human spirit.â The speaker of the poem is the earth itself, who addresses each of us as âa bordered country / Delicate and strangely made proud.â âHistory,â she writes in much-quoted lines from the poemâs ninth stanza, âdespite its wrenching pain / Cannot be unlived, but if faced / With courage, need not be lived again.â For all the pain Angelou herself endured and faced with courage, itâs a sentiment she earned the right to proclaim. Her celebration of not only the particular African-American struggle, but also its part in the universal human struggle for dignity and purpose stands as her enduring legacy. She ends the poem where she begins her reading of âStill I Riseâ above, with a call for us to treat each other with care and respect, to not be âwedded forever / To fear, yoked eternally / To brutishnessâ:
Here, on the pulse of this new day
You may have the grace to look up and out
And into your sister’s eyes, and into
Your brother’s face, your country
And say simply
Very simply
With hope –
Good morning.
Both poems will be added to our collection, 550 Free Audio Books: Download Great Books for Free.
Related Content:
Studs Terkel Interviews Bob Dylan, Shel Silverstein, Maya Angelou & More in New Audio Trove
Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness.
Maya Angelou Reads “Still I Rise” and “On the Pulse of the Morning” is a post from: Open Culture. Follow us on Facebook, Twitter, and Google Plus, or get our Daily Email. And don’t miss our big collections of Free Online Courses, Free Online Movies, Free eBooks, Free Audio Books, Free Foreign Language Lessons, and MOOCs.
The post Maya Angelou Reads “Still I Rise” and “On the Pulse of the Morning” appeared first on Open Culture.
Maya Angelou Reads âStill I Riseâ and âOn the Pulse of the Morningâ
No comments:
Post a Comment