Friday, 24 October 2014

Young Stanley Kubrick’s Noirish Pictures of Chicago, 1949

Men, probably commuters, walking along a platform next to a train


When Stanley Kubrick was a mere high school student in April 1945, just after FDR died, he snapped a picture of a news vendor framed on either side by posters announcing the president’s death. He was so excited by the picture that he skipped school to develop it and then marched right into the office of Look magazine. Photo editor Helen O’Brian offered to buy the photo for $ 25. Displaying his trademark cockiness, Kubrick told her that he wanted to see what price he could get from The New York Daily News. They only offered $ 10, so Kubrick went with Look. Within a few months, at the age of 17, Kubrick became a staff photographer for the publication.


Below you can see some photographs that Kubrick took in 1949 while on assignment in Chicago. Using the same noirish high-contrast, low-light look that marked his first three movies, he documented all different strata of society from floor traders, to lingerie models, to meat packers to impoverished African-American families. Click  on the images to view them in a larger format. Find a more extensive gallery of images here.


Men working the floor at the Chicago Board of Trade


Men working the floor at the Chicago Board of Trade


Lingerie model, wearing a girdle and strapless bra, smoking in an office; in the background a woman sits at a desk


Lingerie model, wearing a girdle and strapless bra, smoking in an office; in the background a woman sits at a desk


Butcher holding slab of beef in a meat locker


Butcher holding slab of beef in a meat locker


African American mother and her four children in their tenement apartment


African American mother and her four children in their tenement apartment


Overhead view of the “L” elevated railway


Overhead view of the "L" elevated railway in Chicago, Illinois


via Mashable


Related Content


Stanley Kubrick’s Very First Films: Three Short Documentaries


The Making of Stanley Kubrick’s A Clockwork Orange


James Cameron Revisits the Making of Kubrick’s 2001: A Space Odyssey


Terry Gilliam: The Difference Between Kubrick (Great Filmmaker) and Spielberg (Less So)


Jonathan Crow is a Los Angeles-based writer and filmmaker whose work has appeared in Yahoo!, The Hollywood Reporter, and other publications. You can follow him at @jonccrow. And check out his blog Veeptopus, featuring lots of pictures of vice presidents with octopuses on their heads.  The Veeptopus store is here.



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Young Stanley Kubrick’s Noirish Pictures of Chicago, 1949

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