Has a writer ever inspired as many adaptations and references as William Shakespeare? In the four hundred years since his death, his work has patterned much of the fabric of world literature and seen countless permutations on stage and screen. Less discussed are the visual representations of Shakespeare in fine art and illustration, but they are multitude. In one small sampling, Richard Altick notes in his extensive study Paintings from Books, that âpictures from Shakespeare accounted for about one fifthâsome 2,300âof the total number of literary paintings recorded between 1760 and 1900â among British artists.
In the period Altick documents, a rapidly rising middle class drove a market for literary artworks, which were, âin effect, extensions of the books themselves: they were detached forms of book illustration, in which were constantly assimilated the literary and artistic tastes of the time.â These works took the form of humorous illustrationsâsuch as the As You Like It-inspired satirical piece at the top from 1824âand much more serious representations, like the undated Currier & Ives Midsummer-Nightâs Dream lithograph above. Now, thanks to the Folger Shakespeare Library, these images, and tens of thousands more from their Digital Image Collection, are available for free use under a CC BY-SA Creative Commons license.
As Head of Collection Information Services Erin Blake explains, âbasically this means you can do whatever you want with Folger digital images as long as you say that theyâre from the Folger, and as long a you keep the cycle of sharing going by freely sharing whatever youâre making.â The Folgerâs impressive repository has been called âthe worldâs finest collection of Shakesperean artâ and includes in addition to traditional paintings and illustrations, âdozens of costumes and props used in nineteenth-century Shakespeare productions,â such as the embroidered velvet costume above, worn by Edwin Booth as Richard III, circa 1870. Additionally, youâll find photographs and scans of ââextra-illustratedâ books filled with inserted engravings, manuscript letters, and playbills associated with particular actors or productions; and a great variety of souvenirs, comic books, and other ephemera associated with Shakespeare and his works.â
In addition to illustrations and memorabilia, the Folger contains âsome 200 paintingsâ and drawings by fine artists like âHenry Fuseli, Benjamin West, George Romney, and Thomas Nast, as well as such Elizabethan artists as George Gower and Nicholas Hilliard.â (The striking print above by Fuseli shows Macbethâs three witches hovering over their cauldron.) Great and varied as the Folgerâs collection of Shakespearean art may be, it represents only a part of their extensive holdings. Youâll also find in the Digital Images Collection images of antique bookbindings, like the 1532 volume of a work by Agrippa von Nettescheim (Heinrich Cornelius), below.
The collections enormous archive of 19th century prints is an especial treat. Just below, see a print of that tower of 18th century learning, Samuel Johnson, who, in his famous preface to an edition of the Bardâs works declared, âShakespeare is above all writers.â All in all, the immense digital collection represents, writes The Public Domain Review, âa huge injection of some wonderful material into the open digital commons.â Already, the Folger has begun adding images to Wikimedia Commons for use free and open use in Wikipedia and elsewhere on the web. And should you somehow manage, through some voracious feat of digital consumption, to exhaust this treasure hold of images, you need not fearâtheyâll be adding more and more as time goes on.
via The Public Domain Review
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Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness
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Folgerâs Shakespeare Library Releases 80,000 Images of Literary Art Into the Public Domain
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