Yesterday, of course, marked the 13th anniversary of the horrible attacks on the Twin Towers and the Pentagon. Today marks the 6th anniversary of David Foster Wallaceâs death by suicide. The two events are related not only by proximity, and not because they are comparable tragedies, but because Wallaceâs work, in particular his 1993 essay âE Unibus Pluram: Television and U.S. Fiction,â has become such a touchstone for the discourse of âpost-ironyâ or âthe new sincerityâ since 9/11, when Vanity Fair editor Graydon Carter and others proclaimed the âend of irony.â But the cultural consciousness has shifted measurably since those heady days of fervent affirmation. In a reconsideration of Wallace on irony, Bradley Warshauer writes, âhe wasnât wrongâbut he is obsolete.â Our national discourseâas much as it can be defined in broad termsâmay have, some argue, swung further toward sincerity and sentimental reverence than Wallace would have liked. And he may have been much more an ironist than he liked to believe.
Wallace, writes Warshauer, was âa wannabe sentimentalist who was too absurdly talented and probably too obsessed with the artificiality of fiction to be the sort of âanti-rebelâ that he himself talked about.â While he may have romanticized the high-minded figure who âstands forâ things in uncomplicated ways, Wallace himself was complicated, prickly, and just too hyper-awareâof himself and othersâto be seduced by easy sentiment, what Somerset Maugham called âunearned emotion.â While his work pulls us still toward deeper levels of analysis, toward contemplation and critique, toward serious considerations of value, it does not do so by eschewing irony. In the descriptive force of his prose are the evasions, parries, asides, circumlocutions, and jarringly odd juxtapositions of the ironist, the satirist, andâwhat might be the same thingâthe moralist. âThe inherent contradictionââthe irony, if you willâof Wallaceâs stance, Washauer argues, citing 1999âs Brief Interviews With Hideous Men, is that he himself âwas addicted to ironic detachment.â But, of course, itâs not so simple as that.
Today we bring you several readings by David Foster Wallace of his own work. We begin at the top with âDeath is Not the Endâ from Brief Interviews, that collection of âweird metafictionâ that couches raw and painful confessions in layers of irony. Below it, from that same collection, we have âSuicide as a Sort of Present,â a piece that, in hindsight, offers its own potential morbidly ironic readings. Just above, hear Wallace read the short story âIncarnations of Burned Childrenâ from the 2005 collection Oblivion, full of stories Wyatt Mason described as âtightly withhold[ing]⦠hiding on high shelves the keys that unlock their treasures.â Replete with tiny mechanisms that can take many careful readings to parse, these stories are fine-art studies in ironic language and situations.
One may class David Foster Wallace as a master ironist, despite his critical stance against its overuse, but this reduces the full range of his mastery to one mode among so many. His work embraced the voice of irony and the voice of sincerity as equally valid rhetorical means, alternating between the two in what A.O. Scott once called a âfeedback loop.â âThe View From Mrs. Thompsonâs,â the essay Wallace reads above from 2005âs essay collection Consider the Lobster, is a piece he wrote just days after 9/11. Written quickly as a commission from Rolling Stone, the essay records his trenchant observations of the reactions in Bloomington, Illinois between September 11-13. Itâs a piece that showcases the tension between Wallaceâs sincere desire for immediacy and his almost uncontrollable impulse to amused detachment. And hearing Wallace commemorate the tragic events we remembered yesterday highlights the sad irony of memorializing his own death today.
You can hear many more of David Foster Wallaceâs readings and interviews at the David Foster Wallace Audio Project, and be sure to stop by our sizable collection, 30 Free Essays & Stories by David Foster Wallace on the Web.
Related Content:
âThis Is Waterâ: Complete Audio of David Foster Wallaceâs Kenyon Graduation Speech (2005)
David Foster Wallace: The Big, Uncut Interview (2003)
David Foster Wallaceâs 1994 Syllabus: How to Teach Serious Literature with Lightweight Books
Read Two Poems David Foster Wallace Wrote During His Elementary School Days
Josh Jones is a writer and musician based in Durham, NC. Follow him at @jdmagness
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On the 6th Anniversary of His Death, Hear David Foster Wallace Read His Own Essays and Short Fiction
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